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Bach
Warum betrübst du dich (Aria) BWV 516
Bartók forever
1:16 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 16 5 6 100%
Bass 14 0 2 5 100%
Stimme Treble 13 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 16 5 6 100%
Bass 14 0 2 5 100%
Stimme Treble 13 0 4 6 100%
 
Learn Continuo Realization! by BSG, Chap. 3: J. S. Bach: Flute Sonata in B minor (BWV 1030), II
BSG
1:51 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 0 6 7 100%
Hpschd. Treble 20 40 6 6 92%
Bass 19 1 3 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 0 6 7 100%
Hpschd. Treble 20 40 6 6 92%
Bass 19 1 3 5 95%
 
Goldberg Variations Variation 3
Paik Sok
2:40 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 28 14 7 6 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 28 14 7 6 84%
 
Bach Stylistic Etude Nr. 1
Amy Pellegrini
0:18 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 0 11 1 100%
Bass 22 24 10 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 0 11 1 100%
Bass 22 24 10 1 100%
 
Prelude in C Major (Recomposed)
Nguyen Tan Dang Khoa
1:48 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Acoustic
Grand
Piano		 Treble 22 25 4 3 100%
Bass 19 24 5 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Acoustic
Grand
Piano		 Treble 22 25 4 3 100%
Bass 19 24 5 2 100%
 
Allemande
wil emmerink
1:04 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 28 29 8 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 28 29 8 4 100%
 
Bach - BWV 254 "Ach Gott, erhör mein Seufzen" - Piano Transcription
leonkopecny11
0:22 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 13 26 4 3 100%
Bass 16 14 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 13 26 4 3 100%
Bass 16 14 3 4 100%
 
Bach Stylistic Etude Nr. 3
Amy Pellegrini
0:18 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 0 11 1 100%
Bass 24 24 13 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 0 11 1 100%
Bass 24 24 13 1 100%
 
Compound Time Study for Guitars
stanknj7
0:45 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Guitar		 Treble 19 13 0 5 90%
Treble 19 10 0 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Guitar		 Treble 19 13 0 5 90%
Treble 19 10 0 5 100%
 
Minuet in La Major
Mark08
0:28 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 2 0 7 100%
Bass 18 12 0 4 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 2 0 7 100%
Bass 18 12 0 4 95%
 
Bachtime in a minor
lucapurchiaroni
0:20 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 24 4 3 91%
Bass 22 24 6 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 24 4 3 91%
Bass 22 24 6 3 100%
 
Air in G
Matttiii
4:21 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ
or
Harpsichord
or
Opt.
Piano
(Continuo)		 Treble 20 36 5 5 100%
Bass 25 0 8 3 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ
or
Harpsichord
or
Opt.
Piano
(Continuo)		 Treble 20 36 5 5 100%
Bass 25 0 8 3 100%
Contrabass Bass 25 3 8 3 100%
Viola 11 0 2 4 100%
Violas Treble 11 0 2 4 100%
Violin Treble 17 0 4 6 100%
Violins
I (Section
or
Solo
Principal)		 Treble 14 0 5 8 100%
Violins
II		 Treble 17 0 4 6 100%
Violoncello Bass 25 0 8 3 100%
Violoncellos Bass 25 0 8 3 100%
 
BWV 245 N 22 - Durch dein gefängnis, Gottes Sohn muß uns die Freiheit kommen
edward.maurath
1:00 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 14 23 4 4 100%
Bass 14 1 3 2 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 14 23 4 4 100%
Bass 14 1 3 2 100%
Alti 12 0 3 2 100%
Bassi Bass 13 0 3 2 100%
Bassono Grosso Continuo Bass 14 0 3 2 100%
Bassoon Continuo Bass 14 0 3 2 100%
Contrabassi Continuo Bass 14 0 3 2 100%
Flauto Traverso Treble 8 0 0 3 100%
Oboe Treble 8 0 0 3 100%
Organo Continuo Treble 14 23 4 2 100%
Soprani 8 0 0 3 100%
Tenori 12 0 2 4 100%
Viola 12 0 2 4 100%
Violin 1 Treble 8 0 0 3 100%
Violin 2 Treble 12 0 3 2 100%
Violoncelli Continuo Bass 14 0 3 2 100%
 
BWV 245 N 5 - CHORALE Dein Will geschech d minor
edward.maurath
0:55 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 29 4 2 100%
Bass 14 0 5 3 100%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 29 4 2 100%
Bass 14 0 5 3 100%
Bass 14 0 5 3 100%
Harpsichord Treble 14 29 4 2 100%
Bass 15 1 5 2 100%
Alti Treble 11 0 3 4 100%
Bassi Bass 14 0 5 3 100%
Bassoon Continuo Bass 15 0 5 3 100%
Contrabasses Bass 14 0 5 3 100%
Flute Treble 13 0 3 2 100%
Oboe 1 Treble 13 0 3 2 100%
Oboe 2 Treble 11 0 3 4 100%
Soprani Treble 13 0 3 2 100%
Tenori Treble 11 0 4 4 100%
Viola 11 0 4 4 100%
Violini 1 Treble 13 0 3 2 100%
Violini 2 Treble 11 0 3 4 100%
Violoncellos Bass 14 0 5 3 100%
 
BWV 245 N 3 v EJM CHORALE O grosse Lieb g minor
edward.maurath
0:45 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 14 20 5 5 100%
Bass 16 0 5 3 100%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 14 20 5 5 100%
Bass 16 0 5 3 100%
Bass 17 0 5 3 100%
Cembalo Continuo Treble 14 20 5 5 100%
Bass 19 2 5 3 100%
Alto 11 0 2 4 100%
Bassi Bassoon Continuo Bass 17 0 5 3 100%
Basso Bass 15 0 4 4 100%
Contrabassi Continuo Bass 16 0 5 3 100%
Contralti Oboe 2 Treble 9 0 2 3 100%
Contralti Violini 2 Treble 11 0 2 4 100%
Soprani Flute 1
amp;amp;
2		 Treble 11 0 2 4 100%
Soprani Oboe 1 Treble 11 0 2 4 100%
Soprani Violini 1 Treble 11 0 2 4 100%
Soprano 11 0 2 4 100%
Tenor 12 0 3 4 100%
Tenori Viole 12 0 3 4 100%
Violoncello Continuo Bass 17 0 5 3 100%